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Kasimir Malevich
1878-1935 Kasimir Malevich Gallery In 1904, after the death of his father, he moved to Moscow. He studied at the Moscow School of Painting, Sculpture and Architecture from 1904 to 1910 and in the studio of Fedor Rerberg in Moscow (1904?C1910). In 1911 he participated in the second exhibition of the group Soyuz Molodyozhi (Union of Youth) in St. Petersburg, together with Vladimir Tatlin and, in 1912, the group held its third exhibition, which included works by Aleksandra Ekster, Tatlin and others. In the same year he participated in an exhibition by the collective Donkey's Tail in Moscow. By that time his works were influenced by Natalia Goncharova and Mikhail Larionov, Russian avant-garde painters who were particularly interested in Russian folk art called lubok. In March 1913 a major exhibition of Aristarkh Lentulov's paintings opened in Moscow. The effect of this exhibition was comparable with that of Paul Cezanne in Paris in 1907, as all the main Russian avant-garde artists of the time (including Malevich) immediately absorbed the cubist principles and began using them in their works. Already in the same year the Cubo-Futurist opera Victory Over the Sun with Malevich's stage-set became a great success. In 1914 Malevich exhibited his works in the Salon des Independants in Paris together with Alexander Archipenko, Sonia Delaunay, Aleksandra Ekster and Vadim Meller, among others. It remains one of the great mysteries of 20th century art, how, while leading a comfortable career, during which he just followed all the latest trends in art, in 1915 Malevich suddenly came up with the idea of Suprematism. The fact that Malevich throughout all his life was signing and re-signing his works using earlier dates makes this u-turn in his artistic career even more ambiguous. Be that as it may, in 1915 he published his manifesto From Cubism to Suprematism. In 1915-1916 he worked with other Suprematist artists in a peasant/artisan co-operative in Skoptsi and Verbovka village. In 1916-1917 he participated in exhibitions of the Jack of Diamonds group in Moscow together with Nathan Altman, David Burliuk and A. Ekster, among others. Famous examples of his Suprematist works include Black Square (1915) and White on White (1918). In 1918 Malevich decorated a play Mystery Bouffe by Vladimir Mayakovskiy produced by Vsevolod Meyerhold. Malevich also acknowledged that his fascination with aerial photography and aviation led him to abstractions inspired by or derived from aerial landscapes. Harvard doctoral candidate Julia Bekman Chadaga writes: ??In his later writings, Malevich defined the 'additional element' as the quality of any new visual environment bringing about a change in perception .... In a series of diagrams illustrating the ??environments' that influence various painterly styles, the Suprematist is associated with a series of aerial views rendering the familiar landscape into an abstraction..." (excerpted from Ms. Bekman Chadaga's paper delivered at Columbia University's 2000 symposium, "Art, Technology, and Modernity in Russia and Eastern Europe").

 

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Kasimir Malevich Conciliarism Painting oil painting

Painting ID::  36267

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Kasimir Malevich
Conciliarism Painting
mk110 Oil on canvas 1918 97x70cm
   
   
     

 

 

Kasimir Malevich Abstract oil painting

Painting ID::  36268

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Kasimir Malevich
Abstract
mk110 1919
   
   
     

 

 

Kasimir Malevich Conciliarism Painting oil painting

Painting ID::  36269

X 
 

Kasimir Malevich
Conciliarism Painting
mk110 1920-1925 Oil on canvas 79.3x79.3cm
   
   
     

 

 

Kasimir Malevich The Bust of girl  wear purple dress oil painting

Painting ID::  36270

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Kasimir Malevich
The Bust of girl wear purple dress
mk110 1920 Oil on canvas 73x52.5cm
   
   
     

 

 

Kasimir Malevich Conciliarism Composition oil painting

Painting ID::  36271

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Kasimir Malevich
Conciliarism Composition
mk110 1920-1927 Oil on canvas 72.5x51cm
   
   
     

 

 

Kasimir Malevich The red square on the black ground oil painting

Painting ID::  36272

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Kasimir Malevich
The red square on the black ground
mk110 1922 28x11.5cm
   
   
     

 

 

Kasimir Malevich Conciliarism Painting oil painting

Painting ID::  36273

X 
 

Kasimir Malevich
Conciliarism Painting
mk110 1921-1927 Oil on canvas 72.5x51cm
   
   
     

 

 

Kasimir Malevich Two Peasants oil painting

Painting ID::  36274

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Kasimir Malevich
Two Peasants
mk110 1928-1932 Oil on canvas 53x70cm
   
   
     

 

 

Kasimir Malevich Squareman oil painting

Painting ID::  36275

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Kasimir Malevich
Squareman
mk110 1927 Oil on board 72x54cm
   
   
     

 

 

Kasimir Malevich Gossoon oil painting

Painting ID::  36276

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Kasimir Malevich
Gossoon
mk110 1927 Oil on canvas 72x51.5cm
   
   
     

 

 

Kasimir Malevich Harvest season oil painting

Painting ID::  36277

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Kasimir Malevich
Harvest season
mk110 1927 Oil on canvas 82x61cm
   
   
     

 

 

Kasimir Malevich Harvest season oil painting

Painting ID::  36278

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Kasimir Malevich
Harvest season
mk110 1928 Oil on canvas 71x103.2cm
   
   
     

 

 

Kasimir Malevich Harvestman oil painting

Painting ID::  36279

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Kasimir Malevich
Harvestman
mk110 1928-1930 Oil on canvas 85.8x65.6cm
   
   
     

 

 

Kasimir Malevich Three Women oil painting

Painting ID::  36280

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Kasimir Malevich
Three Women
mk110 1928-1930 Oil on canvas 47x63.5cm
   
   
     

 

 

Kasimir Malevich Pile  Hay oil painting

Painting ID::  36281

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Kasimir Malevich
Pile Hay
mk110 1928 Oil on board 72.8x52.8cm
   
   
     

 

 

Kasimir Malevich Peasant-s head oil painting

Painting ID::  36282

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Kasimir Malevich
Peasant-s head
mk110 1928 Oil on board 55x44.5cm
   
   
     

 

 

Kasimir Malevich A Peasant at the farm oil painting

Painting ID::  36283

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Kasimir Malevich
A Peasant at the farm
mk110 1928-1930 Oil on board 71.3x44.2cm
   
   
     

 

 

Kasimir Malevich Peasant-s head oil painting

Painting ID::  36284

X 
 

Kasimir Malevich
Peasant-s head
mk110 1928-1930 Oil on board 71.7x53.8cm
   
   
     

 

 

Kasimir Malevich Three Women oil painting

Painting ID::  36285

X 
 

Kasimir Malevich
Three Women
mk110 1928-1932 Oil on board 57x48cm
   
   
     

 

 

Kasimir Malevich Outdoor sporter oil painting

Painting ID::  36286

X 
 

Kasimir Malevich
Outdoor sporter
mk110 1928-1930 Oil on canvas 142x164cm
   
   
     

 

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Kasimir Malevich
1878-1935 Kasimir Malevich Gallery In 1904, after the death of his father, he moved to Moscow. He studied at the Moscow School of Painting, Sculpture and Architecture from 1904 to 1910 and in the studio of Fedor Rerberg in Moscow (1904?C1910). In 1911 he participated in the second exhibition of the group Soyuz Molodyozhi (Union of Youth) in St. Petersburg, together with Vladimir Tatlin and, in 1912, the group held its third exhibition, which included works by Aleksandra Ekster, Tatlin and others. In the same year he participated in an exhibition by the collective Donkey's Tail in Moscow. By that time his works were influenced by Natalia Goncharova and Mikhail Larionov, Russian avant-garde painters who were particularly interested in Russian folk art called lubok. In March 1913 a major exhibition of Aristarkh Lentulov's paintings opened in Moscow. The effect of this exhibition was comparable with that of Paul Cezanne in Paris in 1907, as all the main Russian avant-garde artists of the time (including Malevich) immediately absorbed the cubist principles and began using them in their works. Already in the same year the Cubo-Futurist opera Victory Over the Sun with Malevich's stage-set became a great success. In 1914 Malevich exhibited his works in the Salon des Independants in Paris together with Alexander Archipenko, Sonia Delaunay, Aleksandra Ekster and Vadim Meller, among others. It remains one of the great mysteries of 20th century art, how, while leading a comfortable career, during which he just followed all the latest trends in art, in 1915 Malevich suddenly came up with the idea of Suprematism. The fact that Malevich throughout all his life was signing and re-signing his works using earlier dates makes this u-turn in his artistic career even more ambiguous. Be that as it may, in 1915 he published his manifesto From Cubism to Suprematism. In 1915-1916 he worked with other Suprematist artists in a peasant/artisan co-operative in Skoptsi and Verbovka village. In 1916-1917 he participated in exhibitions of the Jack of Diamonds group in Moscow together with Nathan Altman, David Burliuk and A. Ekster, among others. Famous examples of his Suprematist works include Black Square (1915) and White on White (1918). In 1918 Malevich decorated a play Mystery Bouffe by Vladimir Mayakovskiy produced by Vsevolod Meyerhold. Malevich also acknowledged that his fascination with aerial photography and aviation led him to abstractions inspired by or derived from aerial landscapes. Harvard doctoral candidate Julia Bekman Chadaga writes: ??In his later writings, Malevich defined the 'additional element' as the quality of any new visual environment bringing about a change in perception .... In a series of diagrams illustrating the ??environments' that influence various painterly styles, the Suprematist is associated with a series of aerial views rendering the familiar landscape into an abstraction..." (excerpted from Ms. Bekman Chadaga's paper delivered at Columbia University's 2000 symposium, "Art, Technology, and Modernity in Russia and Eastern Europe").